Even if you're teaching Maus for the first time, there are more resources out there than you might think...It can be both an exciting and daunting task for teachers if they're teaching a graphic novel for the first time, and that graphic novel happens to be Art Spiegelman's Maus. Although it is one of the most frequently taught GNs in the high school classroom (along with Marjane Satrapi's Persepolis), there are dozens of resources available to assist you in your preparations. Here are some good ones to get you started with your unit!
These resources should help you to prepare a unit that your students will thoroughly enjoy. If you still have any questions about teaching Maus, don't hesitate to ask us here at Comics in Education! If you enjoyed this article, you might also enjoy:
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by Glen Downey, Comics in Education, www.comicsineducation.com Having Students Take Notes in Their Own Way is the KeyIn a couple of previous posts, I showed you examples of Grade 12 students doing a comparative analysis of Death of a Salesman and A Streetcar Named Desire using a Visual Brainstorming technique that saw them employ a combination of words, images and symbols to represent their thinking. Although the examples I showed featured students with excellent artistic skills, it's important to remember that Visual Brainstorming and Visual Note-Taking are not simply exercises in illustration. They are exercises in brain-dumping. Think of the activity as less about drawing and more about freewriting, but with some license to use the visual and without the need to avoid lifting the pen from the page. Here, Kailey has amassed an excellent amount of information about the opening scene of Dario Fo's Accidental Death of an Anarchist. Her only direction was to think about a few basic concepts: character development, staging, humour, and dialogue. She was also encouraged to ask questions right on the paper about things that were happening in the scene that she might not fully understand. The results are so staggering that I'll likely be transferring this to the exemplars section of the website so that I can generate a slightly larger illustration to show you what she came up with. Please try these exercises with your students! You may be quite pleasantly surprised not just with their artistic skills, but by how much knowledge and understanding they are able to articulate when given the freedom to express their ideas in this manner. by Glen Downey, Comics in Education, www.comicsineducation.com Tag Clouds Are Powerful Learning Tools that Draw upon the Power of the Visual!One thing that comics taught me was the power of a visual medium to tell me something that I needed to know about a story, its plot, its characters, and how to make meaning of a narrative. It also got me thinking that other visual devices must be similarly effective, even when applied to other kinds of texts. I had also always been fascinated by Discourse Analysis, a branch of literary and textual studies that examines how discourse unfolds in everything from a series of comic books to a website devoted to spoiler updates about that series of comic books! At www.wordle.net, however, you can find an immensely powerful visual tool. Now if you've worked in education you've seen these over and over again. No doubt your state or provincial governing bodies for education have distributed materials containing tag clouds like the one above that contain key terms. In these clouds, words that appear more frequently are larger in size. As it turns out, though, there is significant application in the English classroom for these. Here's something you can try (actually, you should have your students do this as a regular habit): 1. Prior to submitting an essay or writing assignment, have students cut and paste the assignment into a Wordle. The students go to www.wordle.net (they can also use the website Tagxedo, but Wordle is quick and effective). The student cuts and pastes their writing by clicking on the Create tab. 2. Once you hit "Go," Wordle will take the student's text and create a word or tag cloud out of it. By looking closely at the Wordle, a student can glean a lot of information! So What Is This Important Information?Before we get to that, make sure that the student goes to the Language tab and clicks on "Remove Common English Words" so that it is unchecked. This will allow the student to see all of the words in the Wordle. Now get the student to find the important information about his or her writing below:
Try this great visual activity with your students and let me know how it goes. Watch, too, to see if some of the "language" of talking about Wordles begins to rub off on how they talk to one another about their writing during peer editing and revision sessions (e.g. "I notice in your Wordle that you use the words `due' and `fact' a lot; you might be saying `due to the fact that' too much and should replace it with `because'"). In my experience of using this activity, I find that their language will start to change a bit! Perhaps you were a comics fan when you were a kid and haven't read them in a while. Things have probably changed a bit since then. Or maybe you'd like to use them in the classroom with your students but feel like you don't have a great background in reading them. The following list should help get you started on the road to becoming an expert on the hottest and most exciting genre on the market! The Mysterious Underground Men (1948), by Osamu Tezuka
A Contract with God (1978), by Will Eisner
Maus (1986), by Art Spiegelman
The Dark Knight Returns (1986), by Frank Miller
Watchmen (1986), by Alan Moore and Dave Gibbons
Finder (1996-present), by Carla Speed McNeil
Transmetropolitan, Volume 1 (1997), by Warren Ellis and Darcik Robertson
Persepolis (2004), by Marjane Satrapi
Building Stories (2012), by Chris Ware
Boxers & Saints (2013), by Gene Luen Yang
"Graphic Poetry" Activity
3/21/2014
DescriptionStudents read, examine, and create graphic poems, and consider both the implications of using the visual in connection with poetry, and whether an artist or poet/artist can visually represent the intricacies of literal and figurative language. The hope is that students will recognize the beauty of graphic poetry and thereby develop a greater fondness for and appreciation of poetry proper. SkillsSelf Awareness, Metacognition, Critical Thinking, Navigation Skills, Making Connections PurposeBy the end of the activity, students should see that there is something to be gained and something to be lost in marrying a poem with its graphic illustration. What is gained is a visual context that the reader can use to help him or her understand what is actually happening in a poem. What is also gained is the recognition of what art can and cannot do with pictures in order to mimic or represent the figurative. What is lost, perhaps, is precisely what is lost when the curtain rises for the presentation of play and we see the gradual unfolding of the directorial decisions that will define how the performance in front of us will interpret the stage directions and dialogue of the playwright. Critical Thinking Questions
Self-Awareness and Metacognition Questions
Navigation Skills and Making Connections Questions
How Can Visual Narrative Foster Inquiry in This ActivityReading graphic poetry can help students to make sense of some of the complexities of the poems they examine, even if those complexities are what is literally “happening” in a given work. In my experience, though, a student is far more likely to want to bring their critical thinking and inquiry skills to bear on a poem that they believe they understand than one they don’t. As students move through the process of reading, analyzing, and creating graphic poetry, it is essential that teachers encourage students to develop an ongoing dialogue with the work they are studying.
"Wordless Narrative" Activity
3/21/2014
DescriptionStudents create a storyboard or visual narrative that does not contain text. The exercise has wide application, whether in having students block a scene from a work of drama, visually relate the progress of a character’s story from a work of fiction, or visually represent the story of a particular historical moment. The exercise is similar to Activity 3: Visual Note-Taking, but the student is not permitted to use words in order to communicate his or her ideas. SkillsCritical Thinking, Navigation Skills, Making Connections PurposeBy the end of the activity, students should perceive the challenges of communicating without words, translating the written or verbal into the visual, and developing a narrative that is comprehensible to their audience when said narrative must be interpreted in the absence of explanation. The aim of the exercise is to develop the student’s communication skills and transliteracy: the ability to demonstrate literacy across a range of platforms or mediums of expression by making meaningful connections between them. Critical Thinking Questions
Metacognition Questions
How Can Visual Narrative Foster Inquiry in this Activity?As in the previous activity, students will have a dizzying range of questions that they will have to ask themselves at the outset of the activity: “How do I represent this scene from a play or short story without needing pages and pages of illustration?” or “How can I best capture the most important features of a historical battle in a way that a person examining it can understand?” My inspiration for this activity comes from Hogarth’s “A Rake’s Progress,” which Scott McCloud in Understanding Comics cites, along with hieroglyphics, cave art, etc. as a forerunner to the comics of today. I’ve always been impressed by the fact that little or no text (other than the naming of the individual paintings), the audience has little difficulty perceiving what is happening to the rake. As our global village shrinks and our students are immersed even further into a principally visual culture, being able to communicate with the visual takes on an increasing importance. "Visual Note-Taking" Activity
3/21/2014
DescriptionStudents use a combination of words and images in order to create a visual narrative of a process, sequence, set of instructions, or procedure related to their study within a specific discipline. The instructor can have them create this to show the steps they have taken in a lab, to organize how they will prepare for a set of exams, to reflect on a strategy used in a particular sport or physical activity, or even to explore how they might handle and unfamiliar task. SkillsSelf Awareness, Critical Thinking, Navigation Skills PurposeBy the end of the activity, students should recognize the extent to which using a combination of words and images can help them to think in non-linear ways about a given task. There is much to be said when it comes to note-taking of breaking things down into a series of written steps, bullet points, or explanations, but going from the intricate web of ideas in a student’s head to the linear is not always easy. The visual note-taking, process description or instruction writing allows them not just to think outside the box, but to put the box aside and just to think. Critical Thinking Questions
Navigation Skills Questions
How Can Visual Narrative Foster Inquiry in This Activity?This activity is thinking and inquiry in their purest form—allowing the student to make sense of something without being restricted by the linearity of formal sentence mechanics. If a picture tells a thousand words, and there are a thousand words in the student’s head, do I really want to have them write them all down? The inspiration for the activity comes from the Bayeux Tapestry, a 70 m long woven fabric showing the Battle of Hastings and both what led up to it and what followed. This remarkable medieval comic doesn’t just give us insight into 11th century Anglo-Norman relations, but what the weavers perceived worthy of inclusion, and what they felt they needed to explain or refrain from explaining. The "Word and Image" Activity
3/20/2014
DescriptionStudents create a visual representation of an historical figure, famous scientist or thinker, literary character or individual related to the discipline they are studying and use symbolic elements in order to convey something about that character’s personality, mindset, nature, or temperament. Once they have done this, they write a reflection that explains how these symbolic elements help us to better understand the character in question. SkillsCritical Thinking, Metacognition, Making Connections PurposeBy the end of the activity, students should understand something about how symbolic language can help us understand the visual representation of a character or individual, how symbolic language is similar to and different from orthographic language, and how words and images can have a genuinely emotive power in a given context. Critical Thinking Questions
Metacognition Questions
How Visual Narrative Can Foster Inquiry in This ActivitySome critics have argued that graphic novels derive their power from a rather unique quality—their lack of photographic realism. When looking at a photograph, for instance, we are acutely aware that we are only looking at a photograph. We are not witnessing the events taking place or the people affected by them in real time, because the photograph tells us that these things have already happened. In a graphic novel or story, however, things are not so clear. We are more likely to accept that when we see little Marji in Marjane Satrapi’s Persepolis, we are actually looking at a “real person.” The cartoonish nature of the representation has the opposite effect we think it might. Because it’s obviously a cartoon, our minds don’t wrestle with the question of whether it’s the actual character or only his or her representation. So, we don’t tell ourselves that this line drawing isn’t really Marjane Satrapi. We just accept that it is. The "Cave Art" Activity
3/20/2014
The activities that follow will be permanently housed on our site. Feel free to use, reuse, and distribute, tailoring specifically for your own curriculum, grade level, or program! Description Students create a piece of visual art that shows a day in their life in the manner of a cave drawing. It is up to the individual student to determine how much or how little they represent, how much of their canvas they apportion to a particular moment or event, and how they use colour, shape, and form to represent their activities or experiences. Once they have completed the piece of visual art, students then produce a written reflection in which they try to explain not simply what they have represented, but the process by which they came to represent it. Skills Self Awareness, Critical Thinking, Metacognition Purpose By the end of the activity, students should come to understand something about how they have represented themselves and their activities and experiences, how they have chosen to budget their visual space to this end, how they have gone about deciding what to include and what not to include, and what their piece of visual art does and does not say about them. Critical Thinking Questions
Metacognition Questions
How Can Visual Narrative Foster Inquiry in This Activity? Because students are creating a product that is ostensibly about them, that they generally care about, and that they are given a fair bit of freedom to put together, they tend to do a good job reflecting on what they have produced. However, the real power of the activity for me derives from what I learned this year from a student who was giving a presentation after engaging in a very similar activity. When asked to what extent the final amalgamation of images represented him, the student replied that he didn’t think it much represented him at all. “However,” he said, “if people could have seen the process I went through deciding what to include and what not to include—how I put everything together—they would have learned everything about me.” Visual narrative and visual storytelling show us so much about what a writer and illustrator are thinking, feeling, seeing, and trying to articulate—what they value as a story and what they want us to see and experience. Word Origins Can Be Graphic
If that is indeed the case, and I'm fairly confident it is, it's foolish not to capitalize on the inherent usefulness of the visual. So, the next time you're studying word etymologies with your students, consider having them create visual etymologies. This is great as both a collaborative activity or as an individual one. Do it, and you might just give your lesson a bit of swag.
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Glen DowneyDr. Glen Downey is an award-winning children's author, educator, and academic from Oakville, Ontario. He works as a children's writer for Rubicon Publishing, a reviewer for PW Comics World, an editor for the Sequart Organization, and serves as the Chair of English and Drama at The York School in Toronto. If you've found this site useful and would like to donate to Comics in Education, we'd really appreciate the support!
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